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Rocks from the Sky:
An Internet Hoax Hits the Edge of the Mainstream
by Rick Karr
July 2004
"And we listen to the sea
And look at the sky in a poetic kind of way.
What you call it
When you look at the sky in a poetic kind of way?
You know, when you grope for Luna?"
The Pixies, "Subbacultcha"
Rocks were supposed to fall from the sky on June 19 and 24, according to a post on an internet site owned by a guy in Cleveland, TN. They were supposed to have been comets, actually, followed by a cosmic "anomaly" on the 26th.
Never mind that the site is called bushcountry.org and specializes in paeans to W. and thinly veiled anti-Semitism. Nor that the post was an anonymous retransmission of material allegedly posted pseudonymously (by "Aussie Bloke") on another, unnamed site. And never mind the fact that the science was dodgy. Aussie Blokes theory that rocks would fall from the sky was couched in just enough fact to misdirect uncritical Google-jockeys and leave them wondering whether maybe this crackpot theory had something going for it. And if it did, the end of the world as we know it was coming.
Like a clump of rock in a nascent solar system, anomalous facts accreted around Aussie Blokes theory: Many nations had put their battle-ready navies out to sea for exercises in time for the impact dates (probably true); the Federal Reserve and European Central Bank had increased the money supply as if to ease recovery in the wake of a crisis (partially true); and rocks already had fallen from the sky in Washington state (probably true, but irrelevant).
By June, the whole storythe comets, the navies, the central bankers, and the meteor had accumulated unavoidably in certain corners of the internet. People had emailed the link to friends for purely aesthetic reasons. The posts were Web Paranoid Verité, shot, chopped and scored by a master.
"I am over 60 years old. I have seen it come and seen it go. I watched the computer age being born. I have seen and heard every type of doom and gloom scenario you could imagine. All my life I have watched the skies and believe me
I know when something is NOT right with
the universe in general. For years now
longer than most of you have been alive
I have seen the indoctrination of doom spread across mankinds face. People are not what they used to be and things have changed a lot. AND NOW
after many years of planning and indoctrination
what they were subconsciously preparing us for is at our very doorstep. You see
I cannot blame the powers that be for covering up what they know
and they know a hell of a lot.
I used to work for them. Crying wolf always works. Spread false alarm and when nothing happens
then everyone sleeps once more
only they will be much harder to awaken NEXT time. NOW
the wolf is here
and we all sleep."
"Aussie Bloke"
That comes early in the Blokes narrative, after hed spent weeks trying to get his fellow posters to take seriously his claims that something very big and very bad was about to happen. Its that appeal to a seething, widely-distributed paranoia, couched in the most general terms that made the story so appealing. The internet spawns subcultures-within-subcultures, and each of the myriad subdivisions of the Paranoid division had its own take: That it was government disinformation designed to sow panic. That it represented the fulfillment of the ancient Sumerian prophecy surrounding Nibiru, or Planet X, the Earths evil sibling and bringer of civilization. That it confirmed a theory about a purported gap in evidence regarding the formation of the Moon. That it was a hoax, a culture jam worthy of net-art activist-pranksters Rtmark.com.
The Christian-millennial right-wingers who frequent Bushcountry.org likely saw it as a portent of the End Times. But lefties who were exposed to the meme felt a resonance, as well: When the Administration stands accused of repeating untruths like a CD stuck and looping, its hard not to respond to appeals like the Blokes. Regardless of politics, the aesthetic attraction of Aussie Blokes story stemmed from the overwhelming implications of asking: What if its true?
This Crackpot Theory proved so powerful that it made its way into the penumbra of the mainstream: Watchers of the financial markets stumbled upon it when they tried to explain the swelling money supply. Connoisseurs of conspiracy theories flocked to it for its immediacy.
Towards the end, Aussie Bloke "outed" himself as Dr. Grant Gartrell, a retired Australian astronomer whod published on comets. Turns out the real Gartrell is now a blueberry farmer and spelunker whod been down in caves when the whole thing unfolded, according to a story on Rupert Murdochs news.com.au. Then someone claiming to have posted the original stories went online to claim he or she had set up the hoax as an object lesson. And thenmayberetracted that claim of responsibility, possibly because the real Gartrell might have recourse to sue for defamation.
Naturally, a lot of paranoids believed neither the "real" Dr. Gartrell, nor the first retraction. Each Subbacultcha had its own take on which part of the story was disinformation. Each one looked at the sky in a poetic kind of way. But none of them could have been too surprised that rocks didnt fall from the sky. After all, Andy Kaufman didnt make good on his promise to return exactly ten years after his death on the 16th of May, either.
Rick Karr is a writer and radio journalist based in Brooklyn.
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The Rail invites you to a reading with Jason
Flores-Williams and Brian Carreira, along with musical
guest Steve Strunsky of the Lonesome Prairie Dogs.
Thurs., Sept. 22, 8:30 p.m.
Vox Pop--Flatbush, Brooklyn
www.voxpop.net
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OFF THE RAIL FALL 2005 at the Central Branch of the Brooklyn Public Library - Grand Army Plaza
(718) 230-2100 in the 2nd Floor Auditorium
Tuesday, Sept. 13 from 7 till 9
John Ashbery
Leslie Scalapino
Tuesday, Oct. 18 from 7 till 9
Kenneth Bernard
Lynda Schor
Tuesday, Nov. 15 from 7 till 9
Diane Williams
Christine Schutt
Curated and hosted by the Rail's Fiction Editor Donald Breckenridge
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The Independent Press Association-NY recently honored The Brooklyn Rail with the following awards:
1st place: Best article about Immigrant Issues or Racial Justice--Gabriel Thompson, "One Immigrant's Journey" (September 2004).
1st place: Best article about the Arts*--Amy Zimmer, "The Brownsville Rec. Center" (April 04)
2nd place: Best article about the Arts--Brian Carreira, "Harlem Arts: A Faux Renaissance" (Dec 03/Jan 04).
2nd place: Best editorial or commentary--T. Hamm, "The Issue is Free Speech" (Dec 03/Jan 04).
3rd Place: Best Investigative News Story--Marjory Garrison, "Minimum Matter of Survival" (May 04)
Honorable mention: Best Investigative News Story--Williams Cole, "Housing vs. the RNC" (June 04).
Honorable mention: Best Original Feature--Yvette Walton, "My Life in the NYPD" (Dec 03/Jan 04).
Come to the Brooklyn Waterfront Festival.
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