••• ARCHIVES - AUTUMN 2002





from print edition

web exclusive









Table of Contents


LOCAL
NYC vs. The First Amendment
by Williams Cole
Prospect Heights: Here Comes the Neighborhood
by Eric Neutuch
BAM Meets its Critics
by Claire Hoffman
Introducing Councilwoman Diana Reyna
by Robin Rogers-Dillon

EXPRESS
Loss, Pop and The Boss
by Martin Harries
Art vs. Hacks: A Letter from Transylvania
by Dimi Rose
American Mengele: Human Radiation Experiments
by Ryan Grim
Why Not Wounded Knee: A Tale of Two Monuments
with Christian Parenti
in conversation: Howard Zinn
with Theodore Hamm

ART
2002 Painting Report: Plane, The Essential of Painting
by Daniel Baird
Judy Chicago: The Dinner Party at Brooklyn Museum of Art
by Rachel Youens
in conversation: Mira Schor
with Joan Waltemath
in conversation: Ultra Violet
with John Merchant
William Phillips 1907–2002
by Phong Bui
a tribute: Andrew Forge 1923–2002
by John Hollander, Al Held and Phong Bui

ARTSEEN
by Art Staff
ARTBEAT The Brooklyn Public Library Looks to the South
by Nick Stillman
ARTBEAT An Artists Workshop for The World
by Valerie Livingston
ARTBEAT column: Living and Thriving in Brooklyn
by Paula Trotto
Featured Photographers

BOOKS
Still Seeing: Berger’s Critique of High Art Turns 30
by Heather Rogers
Dance Machine
by Paul Grimstad
Clearing the Wreckage
by Paul McLeary
In the Land of The Free
by Paul McLeary
A Work in Progress
by Matthew Wills
Missionary Creeps
by Emily Votruba
War Clips
by Amanda Luker
A Modern Hobo?
by Bradley H. Kerr
Paul’s Ostiary
by John Reed
Controlled Emotions
by Margaux Wexberg
The Atmospherics of Plague
by Christian Parenti
Hanging Loose with Robert Hershon
by Margot Farrington

MUSIC
Chocolate Genius: Next Wave Songwriter Resting at BAM
by KK Kozik
From the Depths: Underworld
by Steve Rogenstein
Song of Peace
by Amy Ritchie
Live is Good
by Grant Moser
dimensions in music: Michael J. Schumacher’s Sonic States
by Alan Lockwood

DANCE
Dancenow at the Joyce
by Vanessa Manko

FILM

Who’s Afraid of Atom Egoyan?
by Hrag Varatanian
Outtakes: On Movies (Isabelle Huppert)
by Galen Williams
A Woman Fighting: Karyn Kusama
by Williams Cole

THEATER
in dialogue: Moment to Moment with Maria Irene Fornes
by Michelle Memran

FICTION
excerpt: The Artificial Silk Girl
by Irmgard Keun
Ms. Munch
by Kurt Strahm
The Drink
by Pier Paolo Pasolini
The Dogfish
by Pier Paolo Pasolini
Close Reading
by Alberto Mobilio
Manifest Destiny
by Bart Cameron
Arabesque for Saquoit #2 Friday October 22, 1978
by Donald Breckenridge
A Ruby Tattoo
by Paul Perilli

STREETS
Al the Barber: The Luckiest Man in Williamsburg
by Sean Silleck
A Koolman’s Travels
by Claire Hoffman
Furry Memories of an Old Stuffer
by P. Worty Heffington III
Lettin’ in All Hang Out
by Diana Wurn

POETRY
Some Brooklyn Northside Calaveritas
by Rodrigo Toscano
excerpt: Color by Numbers
by Joanna Fuhrman
Token Enabler
by Anselm Berrigan
Black Rot of Crucifers; Juniper Woes
by Susan Swenson

LAST WORDS
Border Crossing: A Letter from Chiapas
by d. b. leonard


EDITOR'S NOTE
We’ve only Just Begun…

I would say that I’m ready to lay down my sword and shield, except that I own neither. I also could serve up a cliché about pens and swords, but it seems totally irrelevant. There has been plenty of dissent in the press and elsewhere regarding the pending war in Iraq, but in the end it doesn’t matter. The president is ready to take on Saddam, Congress is quite willing to back him up, and the only real question is whether General Tommy Franks will be an able occupation ruler of Iraq.

And so, reluctantly, I must refrain as well from saying that “I ain’t gonna study war no more.” That’s because we are being given very little choice other than to do so. Last fall, Donald Rumsfeld promised a forty-year war on terrorism, and by my count, that means we’ve got 39 more years to go. That the richest, most powerful nation in human history can devise no better means for ruling the world other than through military aggression seems rather primitive. But perhaps I’m the one who’s being naïve.

The good news is that very few pages in this issue actually pertain to Iraq. In fact, this issue is dedicated to the proposition that there is more to life than war. Peace.
—T. Hamm


Out now:


Archives>>



The Rail invites you to a reading with Jason
Flores-Williams and Brian Carreira, along with musical
guest Steve Strunsky of the Lonesome Prairie Dogs.

Thurs., Sept. 22, 8:30 p.m.
Vox Pop--Flatbush, Brooklyn
www.voxpop.net


OFF THE RAIL FALL 2005 at the Central Branch of the Brooklyn Public Library - Grand Army Plaza
(718) 230-2100 in the 2nd Floor Auditorium

Tuesday, Sept. 13 from 7 till 9
John Ashbery
Leslie Scalapino

Tuesday, Oct. 18 from 7 till 9
Kenneth Bernard
Lynda Schor

Tuesday, Nov. 15 from 7 till 9
Diane Williams
Christine Schutt

Curated and hosted by the Rail's Fiction Editor Donald Breckenridge


The Independent Press Association-NY recently honored The Brooklyn Rail with the following awards:

1st place: Best article about Immigrant Issues or Racial Justice--Gabriel Thompson, "One Immigrant's Journey" (September 2004).

1st place: Best article about the Arts*--Amy Zimmer, "The Brownsville Rec. Center" (April 04)

2nd place: Best article about the Arts--Brian Carreira, "Harlem Arts: A Faux Renaissance" (Dec 03/Jan 04).

2nd place: Best editorial or commentary--T. Hamm, "The Issue is Free Speech" (Dec 03/Jan 04).

3rd Place: Best Investigative News Story--Marjory Garrison, "Minimum Matter of Survival" (May 04)

Honorable mention: Best Investigative News Story--Williams Cole, "Housing vs. the RNC" (June 04).

Honorable mention: Best Original Feature--Yvette Walton, "My Life in the NYPD" (Dec 03/Jan 04).
Come to the Brooklyn Waterfront Festival.





aboutcontactarchivessubscribeadvertise